BENJI JEFFREY
  • ---2018
    • Rhosyn - Never Again
    • Like Me Like You
    • Somewhere Between A Song And A Singer
    • For Whom Does the Bell Toll?
    • Lento - 9
    • Somewhere Between: An Act And An Actor
    • Gulliver Jones
    • AS
    • Mock/Dash
    • Bosco Verticale Chorale
    • Chimera
    • M.O.R.E. Consumption
    • West
    • Curatorial Projects >
      • TapTop
      • Ininland
      • View From the First Floor
      • Company Property
      • INLAND
  • 2019---
    • Susan's Boy
    • Tuesday Plays
    • Rose Dagul and Penny Klein
    • Kolya X - Fastest Finger First
    • Phantasie Fotostudio II
    • The Ripple
    • Working Podclasst
  • Bio
  • Contact
Phantasie Fotostudio II, 2019

Phantasie Fotostudio II is the most recent work made as part of the ongoing collaboration between artists Esther Teichmann and Monster Chetwynd. Since having first met at the Royal College of Art during their MA studies in 2004, the pair have been struck by the parallels in reference materials that their very distinct practices draw upon. Their practices also overlap in their adoption of tableaux vivantes and their use of theatrical backdrops and sets. Thus begun a dialogue and close friendship that has taken the form of making a joint body of work once a decade.
 
Phantasie Fotostudio II brings many of the same protagonists together again along with new collaborators in this Warholesque film montage of extended portraits. Punctuated by the repetition of a crying figure, the film becomes a narrative of gazes, dramatized further by the original string quartet score by Benji Jeffrey, artist, musician and composer, who is also one of the protagonists within the film. Directed by Esther Teichmann, all the subjects selected costumes from Monster Chetwynd’s extraordinary wardrobe, under her careful guidance, with contributions by artist and make-up enthusiast Paul Kindersley. This most recent collaboration features not only a new generation of artist protagonists alongside Teichmann’s and Chetwynd’s peers, but also their own children, both in front of and behind the camera.
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Exhibited at John Hansard Gallery.
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